Terry Moore doesn’t mind the spotlight, but he seems much more comfortable being the one doing the watching. If you’ve seen him at a convention, he’s sincere and gracious to the people who come up for autographs or sketches or a hug to thank him for the way his work has affected them. But in the quiet moments behind the table, when it’s just Terry and a sketchbook, you’ll occasionally spot him looking at the crowd when a mischievous gleam enters his eye and his pencil starts gliding along the page. In those moments, he looks vaguely like a schoolboy in the middle of doing something naughty. Maybe that’s why he’s such a strident advocate for the CBLDF.
Terry is the the Eisner and Harvey Award-winning mastermind behind the hit independent series Strangers in Paradise, which concluded its 107-issue run in 2007, and Echo, his soon-to-conclude sci-fi superhero series about two women who share the same body. His work is informed by his keen observational nature, which manifests with work marked by an emphasis on realistic characters, both in appearance and in how they respond to obstacles.
Terry believes in giving back and likes to go that extra mile, frequently going out of his way for his fans. In doing so, he always makes time for free speech and CBLDF. He’s a perennial fixture on CBLDF panels, charming his way through sketch jams, auctions, and more. At conventions, you’ll often find Terry and his partner Robyn proudly reaching out to their fans to help the Fund.
Recently, Terry took a moment to reflect on why the CBLDF is important to him in the latest installment of The Good Fighters.
If you’ve been lucky enough to go to Comic-Con International in San Diego, you’ve seen 
